License the
catalogue

One-stop, master and publishing

Every record in the Get Lit catalogue is a one-stop clear: we hold the master rights, and the writers are on the roster or directly contactable through us. You do not need to clear the recording with one party and the composition with another.

Because the label is small and the catalogue is deliberately short, we can turn a straightforward quote around quickly rather than routing it through a rights administration queue.

What the catalogue suits

• Trailers and title sequences — the records build to a hard, clearly marked drop, which cuts well to picture.
• Sport, action and motion — at 174–175 BPM the catalogue carries pace without needing to be loud in the mix.
• Games — arrangement-led rather than vocal-dependent sections make looping practical.
• Advertising and social — short instrumental and vocal-free edits can be supplied on request.

Stems, edits and instrumentals

Stems, radio edits, instrumentals and clean versions can be supplied for anything in the catalogue. We do not charge for delivery of alternate versions as part of a licensed use — ask for what you need and we will cut it.

Samples and clearance

Nothing in the catalogue relies on an uncleared third-party sample. Every release is original composition and original recording, which is what makes the one-stop position above possible rather than aspirational.

What to include in your enquiry

The faster we can quote, the better for both of us. Useful detail:

• The track, or a description of the mood if you are still choosing
• Media and territory — for example online only, worldwide, or broadcast in one country
• Term — how long the licence needs to run
• Duration of use, and whether it is background or featured
• Your deadline and, if you have one, your budget range

Email licensing@getlitrecords.com. If a request is urgent, say so in the subject line and we will prioritise it.